Kendrick Lamar’s ongoing war of words with Drake has entered new territory.

The 36-year-old Compton-born rapper — whose volleys with Drake inspired part of Dua Lipa’s monologue on Saturday Night Live — made some serious accusations on his new track Not Like Us, which was released shortly after he dropped Meet The Grahams.

In the new song, Lamar appears to accuse Drake, 37, of being a pedophile, along with another member of his crew.

Lamar’s latest song was released before Drake had even responded to his previous diss track, and so far the chart-topper has yet to respond to either song musically. DailyMail.com has reached out to Drake’s representatives for comment.

Lamar’s new song Not Like Us was released on YouTube with what appeared to be a graphic of Drake’s home covered with red 𝓈ℯ𝓍 offender symbols.

Shortly after Kendrick Lamar dropped Meet the Grahams, an answer to Drake’s Family Matters, Lamar made some serious allegations in another new diss track Not Like Us. He appears to accuse Drake and another member of his entourage of being pedophiles

In the lyrics, the Pulitzer Prize winner hit out at the hitmaker and members of his October’s Very Own (OVO) crew.

‘Say Drake, I hear you like ’em young,’ Lamar raps, encouraging others to ‘hide your little sister from him.’

He then goes on to say ‘They tell me Chubbs (Drake’s security guard) the only one that get your hand-me-downs.’

‘And Party at the party playin’ wit’ his nose now,’ targeting Canadian artist PartyNextDoor.

It gets even more personal when Lamar lodges these allegations against Baka Not Nice: ‘And Baka got a weird case/Why is he around? he asks, before seeming to call both Baka and Drake, ‘Certified Lover Boys, certified pedophiles.’

He continues with, ‘Why you trollin’ like a b****, ain’t you tired? You’re tryin’ to strike a chord and it’s probably A minor.’

Lamar’s Meet The Grahams was released within minutes of Drake’s latest diss track Family Matters.

In Meet the Grahams, Lamar suggested that Drake has a secret daughter.

Not Like Us was released on YouTube with what appeared to be a graphic of Drake’s home covered with red 𝓈ℯ𝓍 offender symbols

He takes aim at several members of Drake’s OVO crew and refers to Drake and friends as ‘Certified Lover Boys, certified pedophiles’

Not like us was released before Drake had even responded to Lamar’s previous diss track, Meet The Grahams

Drake responded to Lamar’s previous allegations about having a secret daughter Friday night in a diss track called Family Matters

‘You lied about your son, you lied about your daughter, huh, you lied about them other kids that’s out there hoping that you come,’ go the lyrics.

Elsewhere on Lamar’s recording he points to Drake’s alleged battle with gambling and alcohol.

‘You f***ed up the minute you called out my family’s name / You got gambling problems, drinking problems, pill-popping and spending problems, bad with money, whore house/ Therapy’s a lovely start,’ he raps.

‘F*** a rap battle, this a lifelong battle with yourself,’ the Recipe hitmaker spews.

Drake’s Family Matters, which was released prior to Meet the Grahams, addresses the allegations made on Lamar’s Euphoria and the Jack Antonoff produced 6:16 in LA.

In response to Kendrick raising the subject of Drake’s parenting, he raps: ‘You mentioned my seed, now deal with his dad/I gotta go bad, I gotta go bad.’

The For All The Dogs music artist also name-dropped a list of the California-bred rapper’s collaborators including Anthony ‘Top Dawg’ Tiffith, Dave Free, and Baby Keem, spitting: ‘K.Dot sh*t is only hitting hard when Baby Keem put his pen to it.’

On Family Matters, a nod to the beloved 90s sitcom, Drake also took the opportunity to direct his frustrations toward other members of the hip-hop community.

Announcing the song on Instagram, Drake captioned the post, ‘FAMILY MATTERS out on YouTube now. Stop trying to piece together what I know and go pick up the pieces of your broken home’

Three days after dropping Euphoria, Kendrick came for Drake again with 6:16 in LA

He took aim at Metro Boomin with the line, ‘Leland Wayne, he a f***in’ lame, so I know he had to be an influence.’

Then he turned to Future, reciting, ‘Pluto sh*t make me sick to my stomach/We ain’t never really been through it.’

Rick Ross was also mentioned with the bar, ‘Ross callin’ me the white boy, and the sh*t kinda got a ring to it/’Cause all these rappers wavin’ white flags while the whole f**kin’ club sing to it.’

At one point Drake turned his focus to the legal aftermath of his Taylor Made Freestyle, which was removed from social media as the result of a cease-and-desist from the late rapper 2Pac’s estate.

He seemed to blame Lamar for having it taken down, though there’s no evidence that the

‘A cease-and-desist is for hoes/Can’t listen to lies that come out of your mouth/You called the 2Pac Estate/And begged ’em to sue me and get that sh*t down.’

Drake also brought up a romantic relationship of Kendrick’s and hinting at alleged domestic abuse by the hands of the Compton-bred rap star

‘They hired a crisis management team/To clean up the fact that you beat on your queen. The picture you painted ain’t what it seems,’ he rapped.

In addition to Taylor Made Freestyle, Family Matters comes after Push Ups.

It’s been revealed that Lamar tapped Taylor Swift ‘s frequent collaborator Jack Antonoff to co-produce 6:16 in LA

On Kendrick’s Meet the Grahams, he points to Drake’s alleged battle with gambling and alcohol   (Pictured in Inglewood, CA in August in 2017)

Announcing the song on Instagram, Drake captioned the post, ‘FAMILY MATTERS out on YouTube now. Stop trying to piece together what I know and go pick up the pieces of your broken home.’

Last week, in response to Kendrick’s song Euphoria, Drake then seemingly fired back by posting a clip from 10 Things I Hate About You .

Fans believed that Drake’s humorous post was to mock Lamar’s lyrics, ‘Now let me say I’m the biggest hater, I hate the way that you walk, the way that you talk.

‘I hate the way that you dress, I hate the way you sneak diss, if I catch flight, it’s gon’ be direct.’